comparison
Kodak 2383 Print vs Fuji 3510 Print
Kodak or Fuji, at the projector.
The same photograph, same exposure, both looks at full strength. See the untouched original.
The difference
The Kodak–Fuji divide runs through cinema print stock exactly as it runs through still film. Kodak 2383 gives dense blacks with a slight teal lean and warm highlights — the standard release print and the basis of most film-look grades. Fuji 3510 runs cooler and greener through the midtones with a gentler highlight shoulder. Neither is a look on its own; both are the last node over already-balanced footage.
Which to use
Kodak 2383
The default cinematic grade. Warm highlights, teal shadows.
Fuji 3510
A cooler, greener alternative when 2383 feels too warm.
Side by side
| Kodak 2383 Print | Fuji 3510 Print | |
|---|---|---|
| Type | ||
| Maker | Kodak | Fujifilm |
| Speed | ISO — | ISO — |
| Produced | 2000s–present | 2000s |
| Renderings here | 3 | 3 |
| Download | .cube | .cube |
Try Kodak 2383 Print on your photo → Try Fuji 3510 Print
A comparison on somebody else's reference photograph only tells you so much. Both of these render on your image in the tool, alongside the other 294.