Filmgrid

Slide & Transparency Film

Positive film with high contrast, strong colour and almost no exposure latitude — the look of published landscape work.

Slide film produces a positive image directly on the film, meant to be projected or viewed on a lightbox. Because there is no printing stage to correct it, exposure has to be right within about half a stop, and highlights clip abruptly rather than rolling off. In exchange it gives saturation and contrast that negative film cannot, which is why magazines and stock libraries demanded it for decades.

Preview these on your photo →

19 stocks in this category

Agfa Precisa 100 film emulation preview

Agfa Precisa 100

Agfa's consumer slide film, famous mostly for how it cross-processes.

1 rendering
Fuji Astia 100F film emulation preview

Fuji Astia 100F

The soft slide film — made specifically so slide contrast would not destroy skin.

2 renderings
Fuji Provia 100F film emulation preview

Fuji Provia 100F

The neutral Fuji slide film: accurate colour, fine grain, high but controlled contrast.

2 renderings
Fuji Provia 400F film emulation preview

Fuji Provia 400F

The predecessor to 400X — flatter and more neutral.

1 rendering
Fuji Provia 400X film emulation preview

Fuji Provia 400X

Fuji's fast slide film, with more saturation than Provia 100F.

1 rendering
Fuji Sensia 100 film emulation preview

Fuji Sensia 100

The consumer version of Provia — the same family, milder and cheaper.

1 rendering
Fuji Superia 200 X-Pro film emulation preview

Fuji Superia 200 X-Pro

Cross-processed Superia: green-cyan shadows and bleached, contrasty highlights.

1 rendering
Fuji Velvia 100 film emulation preview

Fuji Velvia 100

A faster, slightly tamer Velvia with a cooler bias than the original 50.

1 rendering
Fuji Velvia 50 film emulation preview

Fuji Velvia 50

The most saturated colour film ever widely sold — the landscape photographer's signature.

1 rendering
Kodak E100GX film emulation preview

Kodak E100GX

Warm-balanced Ektachrome, made for portraits and skin under transparency contrast.

1 rendering
Kodak Ektachrome 100VS film emulation preview

Kodak Ektachrome 100VS

Kodak's answer to Velvia: Very Saturated Ektachrome with a cooler, bluer bias.

2 renderings
Kodak Elite Chrome 200 film emulation preview

Kodak Elite Chrome 200

Consumer Ektachrome at ISO 200 — cool, contrasty and cheap.

1 rendering
Kodak Elite Chrome 400 film emulation preview

Kodak Elite Chrome 400

The fast Elite Chrome: grainier and flatter than the 200.

1 rendering
Kodak Elite Extracolor 100 film emulation preview

Kodak Elite Extracolor 100

Elite Chrome with the saturation deliberately overdriven.

1 rendering
Kodak Kodachrome 200 film emulation preview

Kodak Kodachrome 200

The fast Kodachrome — the family look with grain and slightly cooler colour.

1 rendering
Kodak Kodachrome 25 film emulation preview

Kodak Kodachrome 25

The slowest and finest-grained Kodachrome, and the sharpest colour film of its era.

1 rendering
Kodak Kodachrome 64 film emulation preview

Kodak Kodachrome 64

The most famous colour film ever made — dense reds, restrained blues, archival permanence.

2 renderings
Lomography X-Pro Slide 200 film emulation preview

Lomography X-Pro Slide 200

Slide film sold specifically to be cross-processed.

1 rendering
Polaroid Polachrome film emulation preview

Polaroid Polachrome

Instant 35mm slide film with a visible additive colour screen.

1 rendering