slide · Fujifilm · ISO 50
Fuji Velvia 50
The most saturated colour film ever widely sold — the landscape photographer's signature.
Original
Fuji Velvia 50
Drag to compare. One rendering of Fuji Velvia 50 is included.
Try it on your own photo → Download .cube
What this look does
Extreme saturation with deep, almost black shadows and greens and reds pushed far past reality. Contrast is very high and highlight latitude is close to none, so bright areas clip hard.
landscapenaturegolden hourgraphic colour
About Fuji Velvia 50
Velvia defined the look of published landscape photography through the 1990s. It is a terrible portrait film — skin goes orange — and its narrow latitude is why landscape shooters bracketed obsessively. The clipping in this LUT is faithful, not a bug.
Included renderings
In Filmgrid each rendering carries its own name. The exposure and temperature labels describe how it differs from the base look.
| Filmgrid name | Rendering | LUT |
|---|---|---|
| Clear Voyage | base | .cube |
How to use this LUT
The download is a standard .cube 3D LUT, so it loads in almost anything: Lightroom Classic (Profile → Browse), Photoshop (Color Lookup adjustment layer), Premiere Pro (Lumetri → Creative), DaVinci Resolve (LUTs panel), Final Cut Pro (Custom LUT effect), Affinity Photo, Capture One and OBS. See the step-by-step guide if you have not loaded one before.
If you only want the finished picture, skip the download: open the tool, drop a photo in and export at full resolution. Nothing leaves your device.
Similar looks
Compared with
Two looks described in words is guesswork; two looks on the same photograph is not.
- Fuji Velvia 50 vs Kodak Ektachrome 100VS — The Kodak–Fuji divide, at maximum volume.
- Fuji Velvia 50 vs Fuji Provia 100F — Saturated or honest?
- Kodak Kodachrome 64 vs Fuji Velvia 50 — Two different centuries of colour.
- Kodak Ektar 100 vs Fuji Velvia 50 — Maximum saturation, with or without latitude.
- Fuji Velvia 50 vs Fuji Velvia 100 — Which Velvia?
- Fuji X-Trans III Velvia vs Fuji Velvia 50 — Does the simulation match the film?
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